S41-2
Florian Borkenagen

S41-2
The rebirth of Breuer’s cabinet

In Anlehnung an Marcel Breuers Kommode S41 (1924/27) stapelte Florian Borkenagen für die Kommode S41-2 sechs Schubladenelemente und verlieh jedem Schubladenelement einen individuellen Griff. Dieses Kontrastprogramm ist eine Parallele zu dem schwarz-weiß Wechsel der originalen Breuer-Kommode.

Die Kommode mit ihrer deutlich architektonischen Anmutung weiß sich in Szene zu setzen. Ihre perfekte Form wird durch zwei seitliche Griffe in eine Schwebe gebracht, wie eine Andeutung darauf, dass Kommoden fortan nicht fixiert auf dem Boden ruhen, sondern auf Rollen leichtfüßig zu bewegen sein sollten.

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Borkenhagen’s work straddles the divide between art and design. His sculptures are frequently characterised by their interactive qualities, while his furniture and interior designs often possess a sculptural character. During the final year of his studies at the University of Fine Arts in Hamburg (1980–1986) he worked for film producers Gebhardt in their set design and accessories department. In 1988, he established a studio for furniture and object design in Paris after a stint in Rome, where he worked as a furniture designer, and production and set designer. In 1989, the focus of his activities shifted to Hamburg. From 1990 through to 1995 he worked from a studio in Como, Italy, where he founded the Laboratorio.

Como – a workshop for industrial archaeology and interdisciplinary research, furniture and spaces. Borkenhagen worked from a studio in Munich from 1996 through to 1998. During this time he held workshops in Dakar, Abidjan and Cairo. He has directed the TRAVEL-A-HEAD sculptural project in Hamburg since 1999 and has served as a professor of spatial concepts and design at the Academy of Fashion & Design in Hamburg since 2005